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The films of Bong Joon Ho / Nam Lee.

By: Material type: TextTextSeries: Global film directorsPublisher: New Brunswick, New Jersey : Rutgers University Press, c2020Description: 206 p. : ill. (chiefly color) ; 24 cmISBN:
  • 9781978818903
Subject(s): DDC classification:
  • 23 791.430233092 L4771f
Summary: "The Films of Bong Joon-ho is the first single-authored, book-length study of the world-renowned Korean director who is known for his unique construction of genre films. Although his films enjoy tremendous transnational appeal globally, they cannot be fully appreciated without contextualizing them within the concrete local realities from which they were conceived and produced. Lee provides a detailed account of Korean contemporary cultural and political history that is critical to a full appreciation of Bong's oeuvre. The book accomplish this in part by drawing on both Korean and English scholarly references, bringing together different perspectives in viewing and interpreting Bong's cinematic arts. Including discussion of The Host, Snowpiercer, Parasite and many others, the aesthetics and the cinematic in Bong's unique genre films are firmly situated within the history and politics of his time"-- Provided by publisher.
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Holdings
Item type Current library Collection Call number Vol info Copy number Status Date due Barcode Item holds
Books Books Library, Independent University, Bangladesh (IUB) Window on Korea Non-fiction 791.430233092 L4771f (Browse shelf(Opens below)) 2020 01 Available WOK000817
Total holds: 0

Includes bibliographical references, filmography and index.

"The Films of Bong Joon-ho is the first single-authored, book-length study of the world-renowned Korean director who is known for his unique construction of genre films. Although his films enjoy tremendous transnational appeal globally, they cannot be fully appreciated without contextualizing them within the concrete local realities from which they were conceived and produced. Lee provides a detailed account of Korean contemporary cultural and political history that is critical to a full appreciation of Bong's oeuvre. The book accomplish this in part by drawing on both Korean and English scholarly references, bringing together different perspectives in viewing and interpreting Bong's cinematic arts. Including discussion of The Host, Snowpiercer, Parasite and many others, the aesthetics and the cinematic in Bong's unique genre films are firmly situated within the history and politics of his time"-- Provided by publisher.