| 000 | 03493cam a2200625Ma 4500 | ||
|---|---|---|---|
| 001 | ocn759159355 | ||
| 003 | OCoLC | ||
| 005 | 20230823094943.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 110527s2012 enk ob 001 0 eng d | ||
| 040 |
_aE7B _beng _epn _cE7B _dOCLCQ _dYDXCP _dUIU _dN$T _dEBLCP _dOCLCQ _dNLGGC _dOCLCF _dOCLCQ _dDG1 _dOCLCQ _dTEFOD _dOCLCQ |
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| 019 |
_a768204568 _a773300993 |
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| 020 |
_a9781444343731 _q(electronic bk.) |
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| 020 |
_a1444343734 _q(electronic bk.) |
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| 020 |
_a9781444343748 _q(electronic bk.) |
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| 020 |
_a1444343742 _q(electronic bk.) |
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| 020 | _z9781444343762 | ||
| 020 | _z1444343769 | ||
| 020 |
_z9781405157575 _q(hardback) |
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| 020 |
_z9781444343755 _q(Mobi) |
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| 029 | 1 |
_aDEBBG _bBV043393649 |
|
| 029 | 1 |
_aDKDLA _b820120-katalog:000600534 |
|
| 029 | 1 |
_aNZ1 _b14976047 |
|
| 029 | 1 |
_aNZ1 _b15916128 |
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| 035 |
_a(OCoLC)759159355 _z(OCoLC)768204568 _z(OCoLC)773300993 |
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| 037 |
_a10.1002/9781444343762 _bWiley InterScience _nhttp://www3.interscience.wiley.com |
||
| 037 |
_a99034E32-72C9-46C9-9E86-2FDBAC062A50 _bOverDrive, Inc. _nhttp://www.overdrive.com |
||
| 050 | 4 |
_aPN1601 _b.K73 2012eb |
|
| 072 | 7 |
_aBIO _x007000 _2bisacsh |
|
| 082 | 0 | 4 |
_a809.2 _223 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aKrasner, David, _d1952- |
|
| 245 | 1 | 2 |
_aA history of modern drama. _nVolume I / _cDavid Krasner. |
| 250 | _a1st ed. | ||
| 260 |
_aChichester, West Sussex, U.K. ; _aHoboken, N.J. : _bWiley-Blackwell, _c2012. |
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| 300 | _a1 online resource (xi, 401 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _apt. 1. Trauma drama -- pt. 2. Modernist beginnings -- pt. 3. Realism -- pt. 4. Dissociated sensibility -- pt. 5. Avant garde -- pt. 6. Epic modernism -- pt. 7. The divided self of American drama -- pt. 8. Hell is other people -- pt. 9. Modernist improvising -- pt. 10. Conclusion. | |
| 520 |
_a"Covering the period 1879 to 1959, and taking in everything from Ibsen to Beckett, this book is volume one of a two-part comprehensive examination of the plays, dramatists, and movements that comprise modern world drama. Contains detailed analysis of plays and playwrights, connecting themes and offering original interpretations Includes coverage of non-English works and traditions to create a global view of modern drama Considers the influence of modernism in art, music, literature, architecture, society, and politics on the formation of modern dramatic literature Takes an interpretative and analytical approach to modern dramatic texts rather than focusing on production history Includes coverage of the ways in which staging practices, design concepts, and acting styles informed the construction of the dramas"-- _cProvided by publisher. |
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| 588 | 0 | _aPrint version record. | |
| 650 | 0 |
_aDrama _xHistory and criticism. |
|
| 650 | 7 |
_aBIOGRAPHY & AUTOBIOGRAPHY _xLiterary. _2bisacsh |
|
| 650 | 7 |
_aDrama. _2fast _0(OCoLC)fst00897468 |
|
| 650 | 1 | 7 |
_aToneel. _2gtt |
| 655 | 4 | _aElectronic books. | |
| 655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
|
| 776 | 0 | 8 |
_iPrint version: _aKrasner, David, 1952- _tHistory of modern drama. _b1st ed. _dChichester, West Sussex, U.K. ; Hoboken, N.J. : Wiley-Blackwell, 2012 _w(DLC) 2011022725 |
| 856 | 4 | 0 |
_uhttp://dx.doi.org/10.1002/9781444343762 _zWiley Online Library |
| 994 |
_a92 _bDG1 |
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| 999 |
_c19113 _d19072 |
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| 526 | _beng | ||